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For Your Information
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Music style:
Experimental, Post-Rock/Pop, Folk Alternative with a touch of noir.
Influences (musical and intellectual):
Radiohead, Jean-Luc Godard, Karl Marx, folk, post-punk, post-rock,
experimental, rave, goth, guitar pop, hardcore, 'classic' rock, Gang of
Four, Tori Amos, Bob Mould, Walter Benjamin, Built to Spill, Modest Mouse,
U2, Sunny Day Real Estate, Sibelius, Shiner, the Buddyrevelles, Pavement,
Cursive, Brahms, Engine 88, Herbert Marcuse, the Velvet Underground,
Portishead, Good Riddance, Jawbreaker, Dvorak, Tanner, Beck, Elliott
Smith, Bach, Miles Davis, Silver Scooter, Salt, Thelonius Monk,
psychoanalysis, Bruch, Crayonblack, Bloch, David Gray, Moby, Chopin, the
Cure, the Cranes, Stravinsky, John Coltrane, Fugazi, the Smiths,
Tchaikovsky, Bob Dylan, Dj Shadow, the Beatles, Tricky, David Lynch, Simon
& Garfunkel, Sonic Youth, Nirvana, Sarah Dougher, bad electronic, Karl
Marx, Bartok, Henri Dutilleux, Ingmar Bergman
Similar Artists:
Radiohead, Sarah Dougher, Joan of Arc, Neil Young, the Cure, R.E.M., the
Smiths, Bob Dylan, David Gray, John Lennon, Pj Harvey, the Magnetic
Fields, Belle & Sebastian, Elliott Smith, Moby.
Artist history:
Formed in the shadows of a Midwestern university in the mid nineties, the
Nabokov Project has no set membership or contributors. Its most recent
incarnation has included the membership of Dave Pollock (spoken-word
vocals), Ted Leslie (percussion), Thea Morton (cello, guitar, and keys),
and M. W. Gargo (vocals, guitar, computer, and keys). Many of the songs
on/in these pages were part of this collaboration (even though they were
all written by M. W. Gargo). Ted Leslie, however, after the start of this
collaboration developed brain cancer and has since died. His illness and
death put this version of the band on hold permanently. With the
graduation of M. W. Gargo, it has moved East and, as Finnegan, begins
again in Pittsburgh, Pa. Our demo effort, "Effete Coquette," was dreamed
and recorded over the past three years in the living room and closet of an
upstairs apartment in Eau Claire, WI and in a one room hole in the north
part of the Oakland neighborhood in Pittsburgh, PA. M. W. Gargo is
currently working on material for an eight song EP "This is not a CD,"
which covers a softer and more acoustic side of the project heavy in
alt-folk influences.
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Artist description:
The Nabokov Project is M. W. Gargo's solo project. It was born of an
eclectic heart and spirit, blending classical music and garage guitar, and
molded by contempt for “pop” and all things contrived and commodified for
mass market consumption and the production of surplus value for the few.
The goal of these songs is not to move the listener to a vocal or lyrical
“hook” as is standard in the "pop" formula of our time. (This "hook" is
then stuck in our heads in an obsessive/compulsive repetition of notes and
words, which then demands that we either buy the song to release the
"tension" of turn on the radio or MTV until we are lucky enough to
experience the song again.) Just because we eschew formula does not
signify that you won’t be moved to enjoyment and pleasure through hearing
these songs, and hopefully, you'll walk around with the whispers of these
pieces in your head…
We believe that there is a deeper pleasure just beyond the accessibility
of “pop,” which doesn’t abandon pop but doesn’t relegate an attempt at
musical “art” to the background in the name of reaching the largest
mainstream audience possible. We believe that music should "grow" on
you and if you can "consume" a song in one listen then the song probably
isn't much more than a piece of corporately wrapped and intellectually
useless "candy" created for immediate accessibility and profit. Music
should always be communal and not corporate, something of the “people” and
for the “people,” and when it is marketed (which is inevitable at this
stage of capitalism), often we loose more than we gain. the Nabokov
Project is about returning to that bareness, the essential that is lost in
our progress into the post-al world where music matters only in that it
can be sold and profited on. Our music is 'lofi' not by choice but
by necessity. Being less than economically "privileged" prevents us
from blowing large amounts of capital on recording and production even
though we do not necessarily doubt the limitations of 'lofi' homemade
music in this day of the big five.
Contributors (past and present):
M. W. Gargo: voice, guitar, bass, drum stuff, keys, violin,
computer, recording, post-production, artwork, distribution
Thea Morton: cello on "Japanese Pop"
Ted Leslie: drums
Dave Pollock: vocals, lyrics
Josh Land: laughter
B. Marcks: vocals, lyrics on "great paintings of the western world"
Instruments:
electric guitar, acoustic guitar, weird guitar, bass, keyboards, drums,
cello, violin, vocals, drum machine, mandolin
Albums
"Effete Coquette" [LP DD001] released April 15, 2001 on Dead Dog Records
in North America and Hoboken Records
in Europe.
"This is not a CD" [EP DD002] to be released summer of 2002
Reviews:
"This band blows my mind. Musical influences: radiohead, built to spill,
and social theory to name only three from their extensive list. Have I
said that their music is lovely? Currently out of Pittsburg, the Nabokov
project 'is about returning to bareness' and '[aims for] a deeper pleasure
just beyond the accessibility of "pop," which doesn't abandon pop [and]
doesn't relegate ... musical "art" to the background in the name of
reaching the largest mainstream audience possible.' Yea! Obviously, this
band-- their haunting sound, honesty, and artistic integrity -- kick some
serious socio-musico-logical ass."
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-- Jenny Post (PostGal)
from the
New *Indie* Features Station.
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"Lovely acoustic backdrop covered lightly by beautifully ethereal vocals,
this song is well worth the recommendation. Also worth noting is that,
since they compare themselves to radiohead (an apt comparison, I must
say), they are therefore not afraid to have a great acoustic song run past
the six minute mark. Bravo! I listen to a lot of music on mp3.com, because
I write reviews as a hobby, and I can safely say that this is one of the
best. (4.95/5.0)"
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--Jonathan Sanders of
Bent Twig Productions
on the song "Lost & Found."
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